The Holocaust in Literature and Film
I: Introduction to Holocaust Studies​
1a: The Holocaust as Symbol and Warning
1b: Text as Testimony: Jankiel Wiernik’s “One Year in Treblinka”
1c: Crimes that cannot be Ignored in Alain Resnais’ Night and Fog (1956)
II: Precursors to the Holocaust​
2a: Precursors: Political Systems of Terror
2b: Precursors: Diaries and Documentation: Death by a Thousand Gnat Bites.
2c: The Problems of Representation in Claude Lanzmann’s Shoah.
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III: Life and Death in Auschwitz​
3a: The Camp System of Destruction
3b: The New Normal: Primo Levi’s Survival in Auschwitz
3c: Traumatic Obfuscation in Lazlo Nemes’ Son of Saul
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IV: The Cost of Survival​
4a: Enslavement, Experimentation, and Economics
4b: Visions of Hell: Primo Levi’s Survival in Auschwitz
4c: The Problems of Heroism in Steven Spielberg’s Schindler’s List (1993)
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V: Review
5A: Finding Your Topic
5B: Analysis of Aesthetics (Style)
5C: History and Interpretation
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VI: Shifting Perspective​
6a: The Invasion of the Family and Women’s Voices.
6b: The Closing of Vienna: Ruth Kluger’s Still Alive.
6c: Indoctrination, Ideology, and Identity: Agnieszka Holland’s Europa Europa (1990)
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VII: A Girlhood Remembered​
7a: The Family Camp, Theresienstadt, and the ‘Gift of the City’
7b: Children of the Holocaust: Ruth Kluger’s Still Alive
7c: The Logic of the Wrong Victim: The Boy in the Striped Pajamas (2008)
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VIII: Stepping Out of Line​
8a: Refusal: Rescuers and Survival
8b: Freedom and the Fight for Compassion: Ruth Kluger’s Still Alive
8c: The Stakes of Hybrid Documentary Dramas: Claus Raefle’s The Invisibles (2017)
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IX: The Aftermath​
9a: Coercion and Corruption: The Holocausts by Bullets
9b: Generational Trauma and the Graphic Form: Art Spiegelman’s Maus I
9c: Visualization of Traumatic Memory: Sidney Lumet’s The Pawnbroker (1964)​
X: The Past is Present​
10a: Reparations and the Rape of Europa
10b: Time and Trauma in the Graphic Form II: Art Spiegelman’s Maus II
10c: The Post-War Legacy of Austria: The Woman in Gold (2015)
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XI: Avoidance and Confrontation​
11a: Confronting the Nazi Past in Germany and Abroad
11b: The Discomfort of Confronting Abuse: Bernhard Schlink's The Reader
11c: A Psychological Study of Generations: Arnon Goldfinger’s The Flat (2011)
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XII: Generational Conflict​
12a: On German Guilt and Responsibility
12b: Ethical Considerations of Holocaust Fiction: Bernhard Schlink’s The Reader
12c: Melodrama and Totalitarianism: Stephen Daldry’s The Reader (2009)
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XIV: Resistance, Remembrance, and Resurgence
13a: Remembrance and Memorialization
13b: Contemporary Challenges
13c: Impulses of Holocaust Denial: Deborah Lipstadt’s “Behind the Lies of Holocaust Denial”
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XV: Review
14A: Video Presentation Workshop
14B: Creative Presentation Workshop
14C: Alternative Project Workshop
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